39892507913-offset-8132.mov ✔ 〈Hot〉
Elias didn't look up. He closed his eyes, but he could still see the violet waves behind his eyelids, waiting for the render to finish.
The technician, Elias, didn't think much of the naming convention. It was standard forensic recovery syntax: a string of data markers followed by a timestamp offset. But when the file finally buffered, the preview window didn't show a person or a room. It showed a high-altitude view of a shifting, violet sea that didn't appear on any map of Earth. He hit play. 39892507913-offset-8132.mov
He opened it. There was only one line of text: “You’re late. Look up.” Elias didn't look up
“It’s a render,” Elias whispered to the empty lab. “A glitch in a simulation.” 39892507913-offset-8132.mov
The Diversity of Classic Rock
Great post – I am a late-comer to the streaming of music. This is in part because I like the physicality of a CD and now, once again, and more so, the vinyl. I love to read the sleeve notes and admire the artwork.
But you make a great point regards in ‘the old days’ we effectively ‘tried and bought’ via radio and latterly tV shows. And in this respect Streaming is no different.
I have many friends in touring bands and they, at the time they would stop over at our house when on tour in this country, were dead set against streaming, for the reasons you outline.
Now it’s all change. Streaming has become a necessary evil.
Just a shame some people are getting rich off it – and it ain”t the artists.
(Posted as my loudhorizon.com blog and not Cee Tee Jackson as shows here. ) 🙂
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Thank you!
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Always been a big King Crimson fan – Robert Fripp is a great musician who never sold out.
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[…] What you should listen to: My picks for albums would be Red and In The Court of the Crimson King. Update! King Crimson are finally on Spotify! […]
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