: Critics describe the work as a "prose of goldsmithing"—playful, erudite, and sharp. It moves between major historical milestones and minor, obscure anecdotes found in the "blind spots" of history. About the Author
The title refers to a unique historical anomaly: the transition from the in October 1582.
: The author draws heavily on the ideas of filmmaker Robert Bresson , specifically the notion that creation is not about inventing new things but establishing new links between existing ones. Didier da Silva. La noche del 4 al 15 (r1.0).epub
Didier da Silva (born 1973) is a Marseille-based writer and translator known for his focus on cinema, music, and the "melancholy of facts". His other works include Hoffmann à Tôkyô and Le Dormeur .
Rather than a traditional novel, the book is structured as a "copious ephemeris" or a literary calendar. : Critics describe the work as a "prose
: The text meanders through history, referencing musicians, scientists, botanists, filmmakers, and forgotten injustices.
: In countries that adopted the change immediately, the night of October 4 was followed directly by the morning of October 15. : The author draws heavily on the ideas
: While "nothing happened" during those missing ten days, da Silva uses this void as a jumping-off point to fill his book with an overwhelming abundance of events, connections, and tributes. Narrative Structure and Content