Pickup On South Street(1953) -

Like Skip, Moe doesn't care about the content of the secrets; she cares about the price of information.

The opening subway sequence uses tight shots of sweating faces and roving eyes to create immediate claustrophobia. Pickup on South Street(1953)

Her refusal to give up Skip to the Communist agent Joey—not out of patriotism, but out of personal loyalty—marks the only "pure" act in the film. Like Skip, Moe doesn't care about the content