The Five C's — Of Cinematography

While "cutting" is often associated with the editor, Mascelli emphasizes that the cinematographer must shoot with the edit in mind. This involves providing enough —different angles and shot sizes—to allow for a smooth transition between scenes. A film is essentially "written" in the script, "directed" on set, and "rewritten" in the cutting room; without proper coverage, the editor’s hands are tied. 4. Close-ups

Composition is the arrangement of elements within the frame. Using principles like the , leading lines, and depth of field, a cinematographer can direct the viewer's attention to exactly where it needs to be. Effective composition creates balance (or intentional imbalance) and ensures that the visual hierarchy of the shot supports the narrative. Conclusion The Five C's of Cinematography

Continuity is the art of maintaining a logical flow so the audience doesn't get distracted by "technical" glitches. This includes keeping track of (the 180-degree rule) and ensuring that action is consistent from one shot to the next. If a character exits a frame to the right, they should enter the next frame from the left. Good continuity creates a "seamless" reality where the viewer forgets they are watching a series of edited clips. 3. Cutting While "cutting" is often associated with the editor,