Pro Luts | Vivid

They are compatible with cameras shooting in LOG formats, such as ARRI Alexa, RED, Blackmagic (BMPC 4K, URSA), Canon C-Series, and Sony S-Log models (A7s II, A7RII, A6300). 3. Workflow Guide: How to Use VIVID Pro LUTs To get the best results, follow this professional workflow:

To make this guide more actionable, are you using or Premiere Pro ? VIVID PRO LUTs

If shooting in LOG, start by using a technical LUT to convert your footage to Rec.709. They are compatible with cameras shooting in LOG

Rarely is a LUT perfect at 100%. Use the opacity slider in your software (e.g., in the "Creative" tab in Premiere Pro) to dial down the strength, usually between 40% and 70%. If shooting in LOG, start by using a

VIVID Pro LUTs are designed to work in most major editing and grading software, including: DaVinci Resolve Adobe Premiere Pro CC Adobe After Effects Avid Media Composer Adobe SpeedGrade

These are designed for primary color correction, helping you map LOG footage to Rec.709, adjust contrast, and fix exposure.

Open the LUT folder in the Project Settings to import and make them available in the Colour Page .